Then, Tristan Solanas recognizes the characteristics of Japanese arts which combine aesthetics, beauty and sadness in Snow Country. snow-country-by-yasunari/# comments). The novel is considered a classic work of Japanese literature and was among the three novels the Nobel Committee cited in 1968, when Kawabata was awarded the Nobel Prize in Literature. Nobel Prize recipient Yasunari Kawabata's Snow Country is widely considered to be the writer's masterpiece, a powerful tale of wasted love set amid the desolate beauty of western Japan. In the acclaimed 1948 novel "Snow Country," a Japanese landscape rich in natural beauty serves as the setting for a fleeting, melancholy love affair. In Snow Country, however, Kawabata turns his keen gaze on a small mountain village in the “snow country” of Niigata prefecture, a region on the west side of the Japan Alps that is referred to as such due to its heavy winter precipitation.
Snow Country is a novel by the Japanese author Yasunari Kawabata. It is a book of great sadness in its human relationships and wasted love - and great beauty in its depiction of the physical landscape in the snow country. The Question and Answer section for Snow Country is a great resource to ask questions, find answers, and discuss the novel.. Ask Your Own Question Beauty is sadness: beauty is the light given-off by what passes away. There is no happy ending and no unhappy ending - although the book ends in tragedy.
The novel’s opening describes an evening train ride through "the west coast of the main island of Japan," the titular frozen environment where the earth is "white under the night sky." The words "sad", "lonely", "alone" occur many times in Snow Country. Snow Country Questions and Answers. SuperSummary, a modern alternative to SparkNotes and CliffsNotes, offers high-quality study guides that feature detailed chapter summaries and analysis of major themes, characters, quotes, and essay topics.
This one-page guide includes a plot summary and brief analysis of Snow Country by Yasunari Kawabata. A winner of the Nobel Prize in Literature in 1968, Japanese author […]
At an isolated mountain hot spring, with snow blanketing every surface, Shimamura, a wealthy dilettante meets Komako, a lowly geisha. --Araki, “Kawabata and His Snow Country.” 348 “The vision of the distraught Komako rushing to embrace the body of Yoko, burned in the fire, has all the power, and all the intensity, of a powerful nō drama.
The ending, like much of the narrative, is ambiguous. And, as in the nō, such a final moment of intensity serves to show the innermost